This movie feels good largely because of the chemistry between Camila Mendes and Jessie T. Usher as her husband. They are the young couple you have to love: hard-working, passionate, a little bit naive. It doesn't hurt that the rest of the cast is solidly believable with strong performances by Sasha Alexander as a police detective, Jamie Chung as a lawyer, and Cam Gigandet as a realtor. And it's delightful as always to see Elliott Gould in a cameo.
Dangerous Lies also feels good because it teases the viewer's expectations. It starts out as a story about an average person, down on her luck, who has a chance at a windfall that's not entirely legit. That puts it in a category with A Touch of Death by Charles Williams, and Out of the Black by John Rector.
Soon we're not sure how accidental the windfall is. Are all the friendly people really villains? Are all the suspicious people dangerous or just a little off? Is Katie (Camilla Mendes) as innocent and good as she seems or is she fooling everyone including the audience? I'll admit the movie kept me guessing.
It's not a perfect movie. There were moments when I thought, "Wait . . . What just happened?" And when it was done several things made me wonder, "Why didn't she just . . . ?" But it was plenty entertaining.
In 1881, Adolph Sutro bought 22 acres north of San Francisco's Ocean Beach. On a rocky promontory he built a mansion and gardens with wide vistas of the Pacific Ocean and Marin Headlands.
Sutro came to San Francisco in 1851 and set up as a shopkeeper. In 1860, he went to Virginia City, Nevada, and, after a few career changes, made a fortune at the Comstock Lode. He returned to San Francisco, served as mayor and carried out many philanthropic projects.
After his death, his daughter lived at the cliff-top mansion, which overlooked the first inn and restaurant called The Cliff House. By the time she died, the house and grounds had fallen into disrepair.
Today, only the foundations of the house remain, but on a foggy morning one can still imagine the grand life he led.
The writers of Dead to Me have proven they can invent enough nightmare complications to keep their plot alive for two seasons. Repeatedly, they give two women a reason to hate one another and a complication that binds them together for survival.
And yet, the show provokes laughs with the rapport of the two principal characters---a wealthy suburban widow and a new-agey free spirit---who read each other's minds and finish each other's sentences,
Christina Applegate, who plays the widow, is known for light comedy. She played the daughter in 259 episodes of Married with Children, Gwendolyn in Bad Moms, and Courtney n The Sweetest Thing. Yet she brings real terror to the scenes in which she is threatened.
Linda Cardellini, who plays Judy Hale has appeared in another darkly comic story, A Simple Favor, as a SoHo artist with lots of tatoos and a fascination with big, sharp knives. In Green Book she played the wife of Tony Lip (Viggo Mortensen).
James Marsden does some wonderful work, but to say any more would ruin one of the show's best surprises.
If you enjoy the suspense of someone trapped in a nightmare only partly of their own making mixed with the hilarity of someone tripped up by complications they couldn't foresee, Dead to Me is for you. If you start with season one and continue through season two, you can stream twenty half-hour episodes back to back, and hope for a third season.
Out for a walk in Fort Mason, army-post-turned-park in San Francisco, we came upon this by accident. Yikes! What happened here? Is this a practical joke? No! Those boulders would be too heavy. What's holding them up? Are they real boulders or hollow plastic casts? Why are those guys hanging out where boulders could fall on them?
We had not been warned to be on the lookout for sculpture. This one is entitled Ideas of Stone and was created by Giusepe Penone. The boulders are real. The tree is a bronze cast.
An article on the website of the Golden Gate National Parks Conservancy says, "Penone uses objects from the natural world to document the intertwined relationship between humans and nature," and "Penone’s earliest works included site-specific sculptures."
So, Penone has a lot in common with Andy Goldsworthy, four of whose sculptures can be found in the Presidio, another army-post-turned-park in San Francisco: Earth Wall, Spire, Tree Fall, and Wood Line.
The article also says another work by Penone has been installed elsewhere in Fort Mason. I guess we'll have to take another walk.
The only thing unsatisfying about Season 3 of Ozark is watching it 18 months after watching Season 2. The writing, directing, acting, design---everything about this show is so tight, it's like a book you hate to put down.
It's my kind of story. A family flees Chicago after dad (Jason Bateman) fails to deliver on a deal for a Mexican drug cartel. His best shot at saving himself and his family is setting up a money-laundering operation fronted by a casino in the the Ozark mountains of Missouri.
By Season 3, it's not only dad trying to get out of a tight spot, Mom (Laura Linney) and both kids are involved and looking beyond surviving to making a big score. Things do not go well. In fact, things go badly in increasingly complicated ways.
The makers of the show have a five-season plot planned. If you haven't started watching Ozark, enjoy the first three seasons back to back. You might be tempted to wait until the series is complete, but it's too good to postpone.