We always enjoyed seeing Movies at the Bridge. With its seating capacity of 350, it had the feel of a neighborhood theater. Around twenty years ago, we went to see The Station Agent one afternoon. While waiting to buy popcorn, we saw my brother-in-law and his daughter were there for the same showing. Love that small-town feel.
It closed in 2012, having operated as a movie house since it was built in 1939. Now the former auditorium offers baseball batting cages. Landmark was the last company to operate the Bridge as a movie theater, just as it was the last to operate the Clay Theater.
Enjoy this thriller as a typical heist movie with plenty of well-choreographed, MIssion-Impossible-style action sequences. The heist is pulled off (pulled off twice, in fact) by a crew of specialists played by A-list stars, headed by Robert Redford. There's plenty of straight-up entertainment value.
It's described as a "comedy caper," and perhaps it was in 1992, but nearly thirty years later some of it is not so funny. The Soviet Union dissolved in 1991, so the movie contains references to an ambiguous relationship between Russia and the USA. The plot is complicated by conflicts among the FBI, CIA, and NSA.
Most of all, it's chilling how the film sees digital networks controlling the globe. As one character says, wars are no longer fought with bullets and bombs, but rather with ones and zeroes.
The movie was made before graphical user interfaces turned the Internet into the World Wide Web. The technology in the film looks primitive today, but the theme could not be more current. Recent events have turned this romp into a dark story. It has improved with age.
Yesterday the internet was full of photos of the ominous red sky over San Francisco at day break. I snapped a few but couldn't improve on the ones I'd seen.
Around mid-day, I ventured downtown and saw all the street lights on. This is what Market Street usually looks like around 6:00 pm in winter, not in the middle of a summer day.
The red sky at dawn and darkness at noon were caused by high-altitude layers of smoke from California's wildfires. No fires are near the city, but their smoke covers the state. Throughout the day, ash and soot rained down on everything.
Of the ten largest wildfires in California history, seven have occurred in the past five years. Why? 1. People living further away from cities and demanding, 2. suppression of small wildfires, which clean up "fuel" that accumulates in forests. 3. Climate change making the air warmer and therefore drier.
In Hitchcock/Truffaut, the first question Francois Truffaut asks Alfred Hitchcock is whether "the incident at the police station" is true.
Hitchcock: Yes, it is. I must have been about four or five years old. My father sent me to the police station with a note. The chief of police read it and locked me in a cell for five or ten minutes, saying, "This is what we do to naughty boys."
Truffaut: Why were you being punished?
Hitchcock: I haven't the faintest idea.
They begin Chapter Two by discussing The Lodger, which the master himself calls "the first true 'Hitchcock movie.'" It is about a man mistakenly suspected of being Jack the Ripper. Truffaut identifies this as "the theme recurs in almost all of your later works: a man accused of a crime of which he's innocent."
The psychology is obvious. As a boy, Hitchcock was put in jail, a punishment he did not deserve. He spent his career mostly making movies about characters falsely accused, chased and punished.
But he did not seem to be repeating himself. Although this theme is present in The Thirty-Nine Steps, North by Northwest, Vertigo, Frenzy and many more, each film has its own personality. I never noticed how consistent this theme is, until I read about it in the Hitchcock/Truffaut interviews.
On the right, you can see people sitting at outdoor tables inside a blue fence with lights strung over head. Across the street you can see people seated in a similar enclosure. Each of these occupies two or three parking spaces at the curb in front of a restaurant.
The City of San Francisco began issuing permits for these temporary outdoor dining rooms in June. Restaurants had been closed since March, along with retail stores and most everything else. The idea was to give the owners a way to pay the rent and keep a few employees on the payroll.
San Franciscans are as eager as anyone to pay someone to prepare a meal. These have proven very popular, despite the climate here, which is . . . let's just say it's not like Southern California. Most afternoons there's a chilly wind off the ocean. As you can see both of these outdoor dining rooms have tall heaters.