This is as fine a piece of noir as you are likely to see. Four people check in at a motel in the mountains near Reno, Nevada. They and the desk clerk are the only people around, and none of them seems to have a good reason to be there.
From the start one asks, "What is going on here?" and throughout the movie the answer comes back, "Not what you think." I won't say anything else about what happens because I hope you will enjoy every revelation, large and small.
This movie fits Otto Penzler's definition of noir as well as anything I know: "The tone is generally bleak and nihilistic, with characters whose greed, lust, jealousy, and alienation lead them into a downward spiral as their plans and schemes inevitably go awry."
I've written several times in the "Reading" and "Writing" categories of this blog about Patricia Highsmith and Jim Thompson, giants of the noir tradition. Recently, I wrote about a short story by Cornell Woolrich, who, along with James M. Cain, invented American noir.
If you're not familiar with these earlier writers, you might know Gillian Flynn, whose Gone Girl exemplifies the tradition. As many have remarked, there's not a single likeable character in the book (or the movie version) .
It all sounds very grim, but for some reason I find this stuff entertaining, possibly because it is suspenseful and at its best includes humor. The Nicole Tang Noonan mysteries certainly are NOT noir. They have more in common with Agatha Christie. But I am working on a suspense novel that is noir. I hope to publish it sometime next year.