To spend an afternoon watching the Smuin Ballet company dance to the music of Dave Brubeck, Johnny Cash, and Carl Orff, is to see humanity perfected.
Watching these dancers do such difficult things so that we can feel joy and sadness and wonder makes me think maybe we're not such a bad species after all.
The Fall, 2019, show starts off with new work by Rex Wheeler set to Dave Brubeck's, "Take Five," "Blue Rondo a la Turk," and other classic recordings. These are fun, full of chuckles and surprises.
The show also includes James Kedelko's "The Man in Black," a suite of dances set to songs from Johnny Cash's last album, The Man Comes Around, (2002). Listening to Cash sing songs like "If You Could Read My Mind" and "Hurt" moves us into the realm of classical tragedy. They are that deep.
Kedelko's dances put three men and one woman into costumes fit for line dancing at a cowboy bar, right down to the boots. Those boot heels play percussion on some numbers. The blending of vernacular dance with the power of classical ballet matches the intensity of Cash's recordings.
The company keeps alive the legacy of its founder, Michael Smuin, with his dance to Carmina Burana, a choral work from 1936, based on a collection of poems from the middle ages. The dance is as startling as the music. I would have to see it again to comprehend its symbols, rhythms, and physical daring.
As usual at a Smuin dance series, never a dull moment.