Hitchcock/Truffaut, the 2015 documentary film about the book of the same title, includes interviews with ten present-day directors. Wes Anderson, Richard Linklater, Martin Scorcese, Kiyoshi Kurosawa, and others testify to the enduring influence of Alfred Hitchcock on their work and film-making in general.
In Still of the Night (1982), director Robert Benton borrowed many techniques from Hitchcock and also created a pastiche of Hitchcock's films. It's fun to watch this movie and pair up its scenes with the scenes from master's catalogue: the auction-house scene, the dream sequence, peeping in the windows across the across the way, etc.
There are also scenes that are genuinely suspenseful, ironic, and scary. Even if you never seen a Hitchcock film, you can be well entertained for 90 mins by this thriller.
Vincent Canby spotted the movie's chief shortcoming when he said the magnetism between the stars, Roy Scheider and Meryl Streep, is too weak to drive the action. Both actors are great, and the director won an Oscar for Kramer vs. Kramer, but the spark is not there.
Still there are chills in this movie about a psychiatrist and an expert in antiques and their obsessions.