In The Driver (1978), Ryan O’Neal, known for playing romantic roles, convinces us he has some ice water in his veins, playing a driver who hires out to help thieves make their getaways.
As the cop determined to arrest the driver, Bruce Dern proves once again he has the perfect touch for playing playing losers who haven’t yet noticed they’re losers. The script gives him plenty of invitations to overplay his part with lines like, “I’m very good at what I do,” but he keeps it light.
Dern is really the protagonist of this noir film, doomed by his vanity to fail. O’Neal makes a fine antagonist---sinister, inscrutable, evil for no particular reason.
The film is at its best when it focuses on their rivalry. There are sequences with other characters that get unnecessarily talky, but all is forgiven as the clockwork plot winds down and nobody gets what they signed up for.
It will come as no surprise this movie has car chases. When it hit theatres in 1978, audiences had already been wowed by the iconic car chases in Bullitt (1968) and The French Connection (1971). The Driver keeps it exciting by including techniques from demolition derbies.
Under Walter Hill’s direction, the storytelling couldn’t be any tighter.
It’s not the darkest of noir, but it’s entertaining.
Not to be confused with Driver (2011) or Baby Driver (2017) . . . but perhaps to be compared with them.